The whole thing is expertly assembled into, really, the best forty-four minutes of music I've ever heard. FAREWELL, FIRE STARTER, NIGHTMARE, I WANNA CHANCE, and FOGGY RELATION are absolutely some of my all-time favorite songs from Nakamori on this album. I truly appreciate the harsh energy behind this album. I don't see as much love for Stock as I do for other albums, but that just makes it a set of ten perfect songs, just for me. How do I justify something that gives me this visceral feeling? Whenever I make these top seven lists I usually have the most difficult time writing about my number one pick. If you know the album and are left wanting more, I have you covered! Check out my Part 2 post that covers Nakamori's self-covers and even the self-covers that EUROX did on their album MEGATREND. If you do decided to check it out, you're in for a treat. This album really needs to be heard to be believed. Major props go not only to EUROX for being the band behind the majority of the work, but also for Warner for letting their top selling artist try something so experimental and bizarre at their absolute peak.

Her voice is kinda woven in and out with slight variances in clarity, but only ever verge on being intelligible. A lot of historical reviews hit on something to take into eat Nakamori's voice as an instrument rather than vocals. Fushigi is an album that never clicks on the first listen, but something that really gains appreciation when you're in the right mindset. Once the initial confusion of this album was washed away, it could only be destined to be a cult hit-even something of a curiosity that music fans outside of Japan had to check out. (this may be #2, but it's definitely the #1 album cover)

Akina nakamori fushigi rarity